“What to do with the stuff in between, the silken thread that loosely weaves together folders, labels, textiles, stories, photographs, notes, drawings . . . the list is endless. Gisèle’s horror vacui, Latin for fear of the void, kept her spinning connections from seashells to paintings and pantyhose. Maybe this was no horror vacui, but an understanding that the public and the private are seamless.”
Drawing part of a series made for The Warp and Weft of Memory, by Renée Turner, an online narrative and exhibition, launch and opening 24th August at the Castrum Peregrini Foundation, Amsterdam, The Netherlands.
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