A phantasmagoric painting by Jan Euler and an accompanying analysis by me, Chloe
"I see Understanding Doubts and Logic as a blend of two genres: the female nude, and the sort of impressionistic cafe paintings that were popular in late 19th-century Parisian art. The airbrushed painting is the nude, as the naked figure takes up the majority of the canvas. Her head heads several inches below the top of the canvas, and her many feet end slightly before it, or have their toes chopped off by the bottom of the canvas. Because she fills the canvas, the focus of the painting is on her. The viewer’s eyes are free to travel across the surface of the painting, consuming different parts of her body at every turn. We as viewers fill the role of the voyeur in the relationship between viewer and subject in this genre. Euler is keenly aware of this dynamic and playfully mocks it by multiplying the subject’s breasts. Euler seems to be saying, “I know you’re going to look at this woman, so why don’t I give you a lot more to look at!” The artist has also multiplied the amount of feet in the painting. I find this very amusing, as it is clear to all that feet were never the focus of the viewer’s gaze."
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