did you know, that a certain family, have been buying up places, around the world, and even off planet, (the moon and elsewhere), ready to use them, to their full monetary and political advantage, i call it, "the Rockafeller Skank", it's funny but i defo recall, that companies, corporations, and country's, are not allowed to lay claim, to these places, such as Rockefeller Plateau in Antarctica is that portion of the interior ice plateau of Marie Byrd Land lying eastward of Shirase Coast and Siple Coast and southward of the Ford Ranges, Flood Range and Executive Committee Range, centring near the coordinates given above. Much of its extensive, ice-covered surface is from 1,000 to 1,500 m above sea level. It was discovered by Rear Admiral Richard E. Byrd, and has an entrance to hidden bases, and places there, also The Rockefeller Mountains (78°0′S 155°0′W), are a group of low-lying, scattered granite peaks and ridges, almost entirely snow-covered, standing 30 miles (48 km) south-southwest of the Alexandra Mountains on the Edward VII Peninsula of Antarctica. (also underground bases), Discovered by the Byrd Antarctic Expedition on January 27, 1929, they were named by Byrd are you seeing the pattern?, they also are heavily into the occult, and i shall now show you somethings, you may not know about them, they think themselves gods, the Rockefeller Center? The sculptures, the bas reliefs and the murals, all refer the same theme, the triumph of Man over God, through the acquisition of knowledge. This statue depicts Prometheus, a Titan of Greek mythology, known for his great intelligence. He has however betrayed the god Zeus, by stealing fire and giving it to mankind. He therefore credited, to have taught mankind the arts of civilisation, such as writing, mathematics, agriculture, medicine, and science. Zeus then punished Prometheus, for his crime by having him bound to a rock, while a great eagle, ate his liver every day, only to have it grow back, to be eaten again the next day. The Judeo-Christian equivalent, of this myth is Lucifer, who has brought the gift, of consciousness to humanity, as the serpent in Adam and Eve,
Blessed with great intelligence
Saw great potential in mankind
Defied Zeus’ authority
Called the “Fire Bringer”
Severly punished by Zeus (tied up and had liver eaten by eagle daily)
Humanity suffered the wrath of Zeus
Blessed with great intelligence
Saw great potential in Adam and Eve
Defied God’s authority
Called the Light Bringer
Severely punished by God (expelled from the Heavens)
Humanity suffered the wrath of God
Prometheus is the Hellenic equivalent of the Judeo-Christian Lucifer and is often used as the symbol of enlightenment. Paul Manship’s sculpture featured in the Sunken Plaza of the Rockefeller Center portays Prometheus holding the fire stolen from Zeus and gliding towards humanity. He lies inside a ring in which are outlined the signs of the Zodiac. Behind the statue is an inscription saying:
Prometheus, teacher in every art, brought the fire that hath proved to mortals a means to mighty ends
Mighty ends means reaching enlightenment and achieving godliness. This artwork basically sums up the Luciferian doctrine and acts as the central figure around which the Rockefeller Centre's art program revolves around.
Flanking the statue of Prometheus are Youth and Maiden. These are the first humans created by from Prometheus out of clay.
This is the setting: Prometheus (aka the Hellenic Lucifer) is located at the centre of the Sunken Plaza and is flanked by his creation, mankind. In other words, we are Prometheus’ sons and daughters.
Urizen or the Demiurge
On top of the entrance of the GE Building is this impressive Art Deco frieze. It depicts a bearded man holding a huge compass and a quote from the Book of Isaiah. This is a direct reference to William Blake’s “Urizen” engravement, where God is a bearded man holding a compass.
This image is featured in Blake’s “Book of Urizen”, released in 1794. This English author is known for his rich mythology, cryptic poems and prophetic imagery. This particular piece represents Urizen, the god of the material world. His traits are almost identical of the Gnostic god called “demiurge”, an inferior creator deity, who built a flawed world which imprisons man into the material realm. The Book of Urizen reflects the basic tenants of luciferianism, where the Good versus Evil struggle as described and Judeo-Christian philosophies are inverted.
Blake’s work is thus an unprecedented and confounding critique of the very cornerstones of Judeo-Christian civilisation: the Word and the Law. Evil is traditionally represented as a turning away from the one or the other – from Satan’s non servatim to the eating of the “forbidden fruit”, but here the Word and the Law are literally presented as manacles closing away the boundless possibility of the universe to the dull prison of the senses and the holy books. Science and religion cease to be opposing forces in Blake’s understanding, instead becoming obstacles to true knowledge – one by binding sight in the laws of the material universe, the other by binding thought in the words of the holy books. In this sense, the only possible “Good” as far as Blake is concerned, is the rebellion of sight – growing to see multiple possibilities through ecstatic vision. For Blake this probably meant mystical and artistic gnosis, but intellectually it can be applied to all kinds of pluralist, multilateral thinking, if not to literal “mind-expansion,
The Gnostic god featured at the entrance of GE building holds a huge compass which is used as a tool of creation. We find here a not-so-subtle reference to Freemasonry, where the compass is used by the “Great Architect” to shape the physical world.
Under Urizen we find the quote from the Book of Isaiah:
Wisdom and knowledge shall be the stability of thy times.
– Book of Isaiah 33:6
The book of Isaiah as a whole contains prophecies of future times, predicting the fall and punishment of Babylon (both ancient and future Babylon the Great). The quoted verse describes what will sustain people in these prophesied times of great tribulations: knowledge and wisdom. Isaiah’s cryptic text describes a time where nobody in Jerusalem shall be ill, seemingly referring to times where science and technology would be advanced enough to cure man’s sickness. In this context, the great tribulations refer to the coming of a New World Order, where all countries would be united under a single world government, an admitted goal of the Rockefeller family.
Swords into Ploughshares
This relief refers to Isaiah 2:4 and depicts swords turning into ploughshares. Here is the biblical verse:
He will judge between the nations
and will settle disputes for many peoples.
They will beat their swords into plowshares
and their spears into pruning hooks.
Nation will not take up sword against nation,
nor will they train for war anymore.
Again, this is a subtle yet very direct allusion to a New World order. The verse describes a whole with one court for all nations, one government for all nations and the coming of an era of world peace. The image of swords being beaten into ploughshares is also prominently shown on one of the New World Order murals of the Denver International Airport. Members of the Rockefeller family have always been actors working towards a one world government and it is not surprising to find references to this plan etched on their buildings. David Rockeller stated in his memoirs
For more than century, ideological extremists at either end of the political spectrum have seized upon well-publicised incidents to attack the Rockefeller family from the inordinate influence they claim we wield over American political and economic institutions. Some even believe we are part of a secret cabal working against the best interests of the United States, characterising my family and me as “internationalists” and of conspiring with others around the world to build a more integrated global political and economic structure – one world if you will. It that’s the charge, I stand guilty, and I am proud of it”.
-Memoirs, David Rockefeller p.405
Question is: were they already aware of a plan for a New World Order in the 1930’s, when the Plaza was built? Answer: Yes, yes they were. The idea isn’t new at all.
Guess why Atlas has been forced to carry the celestial world on his shoulders? Because he defied Zeus the god. The north-south axis of the armillary sphere, (celestial globe) on his shoulders points to the North Star as viewed from New York City. Laid across Atlas’s shoulders is a wide, curved beam that displays a frieze of the traditional symbols for Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, and Neptune. Adjacent to Earth (over Atlas’s right forearm) is a small crescent symbolising the Moon. Affixed to one of the sphere’s rings are symbols for twelve constellations through which the Sun passes during the year.
This sculpture can be described as a luciferian equivalent of Christ nailed to the cross. Atlas is sacrificing himself for his act of defiance against the gods.
The sculpture has caused its fair share of controversy. First, the nude and pagan statue was placed right in front of St.Patrick’s Church, which wasn’t well accepted at the times. Second, from behind, the statue looks like crucified Jesus Christ.
Finally, Lee Lawrie has been accused of modeling Atlas face after Italian fascist dictator Benito Mussolini, who was in power at the time.
The same way Atlas defied Zeus in Mythology, the sculpture defies Christianity and even democracy in New York city.
The Rockefeller Center is full of impressive bas-reliefs, murals and sculptures, with plenty of symbolism and imagery. If you go visit the place, you will probably see many other details I’ve missed (feel free to send them to me). It is impossible to review in depth everything on display but I will leave you with some interesting pieces you can investigate yourself. Notice the Babylonian/Egyptian influence, the omnipresence of the torch of illumination and the occult symbols scattered throughout the site.
Mural representing thought as a godly figure sending its gift to man and the fate of the ignorant:
Under the wings of the torch of Illumination:
Columbia holding a cup of Divine knowledge:
giant mechanical spiders, (art works), have appeared in numerous sites across the world. They supposedly represent motherhood. I think they represent the dark forces preying over the masses. Take your pick.
The collection of artworks on display at the Rockefeller Center communicate a cohesive message that can be deciphered by analyzing the cultural and mystical references behind the symbols. The art program as a whole applauds an emancipation from the inferior god, celebrates the mythological figures who have been defiant of god’s rule and glorifies Man’s quest to achieve godliness. Mankind’s progress in arts and science considered to have been achieved DESPITE God, making the Rockefeller Center a virtual temple of worship for the Luciferian doctrine. Luciferianism constitutes the nucleus of the ruling class religion. It accounts for the longevity of many of the oligarch’s plans, i.e. the New World Order. This plan has been discussed for centuries now (documents prove it) and many political decisions are made to lead towards it. Luciferianism provides the world elite the religious legitimacy to carry out plans that would otherwise be morally questionable or simply condemn-able. The elite however believe that divine knowledge can only be acquired by deserving people while the rest of the population must stay in a state of mindless stupor. That is probably why the unsuspecting masses come every year to celebrate Christmas in this Luciferian temple without even realising it. While the Rockefeller Center celebrates man’s triumph over God’s tyranny, it also celebrates the Illuminati’s tyranny over the ignorant man. so wake up, peep's they are waving the truth, right in your faces, while laughing, as they think we are all too stupid, to understand as, standardz, hahahahahaha, :( #edio