Lead: Tracy Van Santana @tvansantana (@ellowrites)
Welcome to the Ello writing community! Mention @ellowrites to be considered for reposting. Happy writing!
See writer spotlights under #writerspot
Lead editor Tracy Van Santana @tvansantana
Contributing editor Allen Blair @tinpoet
Founded by Ksenia Anske @kseniaanske
Ksenia Anske (@kseniaanske)
I write dark books and coach you on how to write and sell yours. On Patreon and on Discord. JOIN IF YOU DARE: https://discord.gg/nrMtHtS
De todo un poco, o un mucho.
Vintage Collage Artist (@marieconigliaroart)
Collage made the old fashioned way, with vintage materials and razor blades. Based out of Denver.
charlie bonallack (@ellocharliebquiet)
With the ubiquitous digital image taking centre stage and the decline of the printed photograph, Charlie (a british artist based in Montpellier, France) presents the printed photograph as a thin receipt or a fossil…a half truth, a trace, possibly a clue to the past.
“I never liked photography,” Robert Mapplethorpe is quoted as saying, “Not for the sake of photography. I like the object. I like the photographs when you hold them in your hand.”
Joe Castro (@joecastro)
Pennsylvania-based collage artist, musician, painter and designer. His work has been exhibited in galleries across the United States and Europe.
K. Natale (@thecrvft)
Manifestation of creation and imagination.
Wong Ping (@wongping)
The Impatient Painter.
Artist, illustrator, designer, maker of things.
Hannah Ward (@hannahward)
Jacqueline Lesik (@evoked007)
artist & illustrator
bojos hyperlux (@hyperlux)
photographic pictures and mixtures materializing on a surface somewhere between me and you
Jamie Black (@jamieblak)
Time Traveler // Creator of @FuturaModern
📍 Barbados 🌴
Mexican photographer and creative director of P Magazine
A FIST FULL OF BOLTS (@afistfullofbolts)
Stoke the flames. Ride the wind.
Maria Konstanse Bruun (@mariakonstanse)
I'm intrigued by the uncertain nature of the boundaries between the physical and the metaphysical, the past and the present, private and the public.