Paulo Arraiano’s visual universe lies in a duality that merges the natural and the artificial, nature and urbanity, emergence and creation. In the intersection between these two seemingly opposite and excluding worlds, he has managed to set a new-found balance which emerges from the primitive energy that flows between one and the other and lies at the root of his visual dialectics. Seeking society even before the reference “man”. A territory, a body, a drift through flows of energy. Paulo Arraiano’s visual work has been focusing on the immaterial territory and its connection with the physical territory: emotional cartographies where the body acts as an extension of nature through a medium based on the motion and fluidity of the connection to the root, trying to bring to the city the energy it tends to forget. In the visual artist’s work, the detachment for the original work sets off the emotional wandering in a new dialoguing body/space, a convergence between urban cartography and the meridians of the human body, in an alignment of premisses for a work of “urban acupuncture”. Searching for points of conflict, blockage emotional and energetic flows to be returned to the geographical space.