Death looms in much of the work of Chilean born artist, Otto Schade. “Extreme Fishing” is part of the artist’s oeuvre which focuses on the dichotomy between innocence (or ignorance) and violence at the societal level.
Familiar images of children at play are disrupted, as weapons – most often weapons of war – replace familiar objects of play. The children continue playing, ignorant of the deadly nature of the game.
Otto Schade challenges the viewer to question the way in which we have come to see war as a game. We have become desensitized to the brutality of killing, from playing violent and realistic virtual war games and from accepting the convoluted and dispassionate language of the killing machinery of modern warfare. The death of a human being is described as as a “win” when an enemy is killed (“target acquired”) and as a “clerical error” when our own soldiers die (“collateral damage”).
The artist confronts the viewer with the blood on our own hands as we turn a blind eye to the reality of the game. In “Extreme Fishing” the gun that is hooked by the boy’s fishing line points towards the boy. Death is a moment away, and calls into question the very future of humanity if we fail to stop playing the game.
review Tania Campbell